See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/270395922 Introduction: Cultural Political Economy of Small Cities Chapter · August 2011 DOI: 10.4324/9780203803844 CITATIONS READS 6 65 2 authors: Anne Lorentzen Bas van Heur Aalborg University Vrije Universiteit Brussel 28 PUBLICATIONS 390 CITATIONS 43 PUBLICATIONS 278 CITATIONS SEE PROFILE SEE PROFILE Some of the authors of this publication are also working on these related projects: Undeclared work in the European Union View project All content following this page was uploaded by Bas van Heur on 04 January 2015. The user has requested enhancement of the downloaded file. 1 Introduction Cultural political economy of small cities Anne Lorentzen and Bas van Heur Theme and aims PR O O F This volume highlights changes in the political economy of small cities in relation to the fields of culture and leisure. Culture and leisure are focal points both to local entrepreneurship and to planning by city governments, which means that these developments are subject to market dynamics as well as to political discourse and action (Lorentzen and Hansen 2009). Public–private partnerships as well as conflicts of interests characterise the field, and a major issue related to the strategic development of culture and leisure is the balance between market and welfare. This field is gaining importance in most cities today in planning, production and consumption, but to the extent that these changes have drawn academic attention it has focused on large, metropolitan areas and on creative clusters and flagship high culture projects. Smaller cities and their often substantively different cultural strategies have largely been ignored, thus leading to a huge gap in our knowledge on contemporary urban change. By bringing together a number of case studies as well as theoretical reflections on the cultural political economy of small cities, this volume contributes to an emerging small cities research agenda (Bell and Jayne 2009; Jayne et al. 2010) and to the development of policy-­relevant expertise that is sensitive to place-­specific dynamics. In taking this approach, the volume has three key aims. First of all, we aim to contribute to the emerging research programme on small cities and go beyond the current empirical studies in this area by combining theoretical development with case studies. The theorisation of smaller cities in the context of complex urban hierarchies remains underdeveloped, which limits a more comparative understanding of the role of city size in urban change. Second, we hope to contribute to emerging research on culture and leisure economies by paying particular attention to the spatial and scalar dynamics of these economies, since a more sophisticated understanding of these dynamics is necessary for the development of sustainable urban strategies. Third, we aim to address not only the economic development dimensions of culture and leisure, but explicitly highlight questions of political governance and social equity. T& F 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 070 01 Cultural 01.indd 1 8/6/11 15:06:38 2 A. Lorentzen and B. van Heur Culture and leisure: stable signifiers, shifting signifieds 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 T& F PR O O F In focusing on the field of culture and leisure, we acknowledge that this field has become one of the key sites of development attention for cities across the world over the last two decades. There are many reasons for this, the most important being the general expansion of cultural consumption (van Eijck and van Oosterhout 2005) and the culturalisation of the economy as such (Lash and Urry 1994; Du Gay and Pryke 2002). In order to get a better analytical grip on this shift, however, it is important to move beyond generic statements of societal change and to specify what exactly is taking place, where and when. This necessitates a preliminary unpacking of the notions of culture and leisure. In the mainstream academic and policy debates, at least three distinct (although empirically intertwined) strands of argument can be identified (for a more extensive discussion, see van Heur and Peters 2011). First, culture and leisure are seen to play an important role in attracting tourists and other visitors. Due to globalisation and increased mobility, cities have become sites to experience and urban landscapes are redesigned in order to become attractive to the tourist gaze (Urry 2002). This leads to the paradoxical situation in which cities market their supposedly unique locational qualities to a global audience in strikingly similar ways. As a result, cultural tourism plays an important role in the globalisation and homogenisation of cultures (Nederveen Pieterse 2009), although it simultaneously can also contribute to the revitalisation of city districts and to the development of new publics for local cultural workers. Second, the discourse on the creative industries as engines of economic innovation has profoundly shaped the debate on culture and leisure. In this narrative, the creative field of the city can be seen as a system of resources, providing materials for imaginative appropriation by individuals and groups as they pursue the business of work and life in urban space (Scott 2010a: 123). The very definition of what constitutes the creative industries is a continuing matter for discussion, but most sectoral definitions highlight established cultural sectors such as film, television, theatre, music, visual arts and design as well as new media and ICT. The role of local governments is seen to lie in the support of these networks and clusters of production and consumption. Highlighting the entrepreneurial dynamics of creative work, the policy discourse on the creative industries tends to emphasise the innovative potential of these sectors, but mostly downplays the reality of underpaid labour (Banks and Hesmondhalgh 2009; Gill and Pratt 2009) and the recurring exclusions along the lines of gender, ethnicity, age and class within the creative industries (Oakley 2006). And third, the debate on cultural planning offers a more inclusive and less economistic approach by shifting attention towards the social relevance of culture (Evans 2005). The idea that culture through cultural planning should be placed at the centre of local government processes has been advocated by leading consultants such as Charles Landry from the 1980s onwards (Stevenson 2005: 38). In the United Kingdom, the idea emerged that it was possible to dig civic gold by tapping into a tradition of volunteerism and generating funding for 070 01 Cultural 01.indd 2 8/6/11 15:06:38 Introduction 3 PR O O F cultural initiative (Stevenson 2004: 121). One problem, of course, is that ‘culture’ in this debate becomes such a broad notion that operationalisation turns out to be rather difficult. Not only is culture expected to solve cultural policy problems, it is also mobilised to address problems identified in other fields, such as spatial planning, welfare and education (Gray 2006). All in all, however, this more inclusive approach tends to aim for at least some kind of balance between economic, social and cultural concerns. Even this very brief sketch of these three distinct lines of argument shows the complexity and diversity of the debate on culture and leisure. It also indicates the necessity to pay detailed attention to exactly how the terminology of culture and leisure is used in particular cities at particular times. As the following chapters in this volume show, even though virtually all actors in the cities discussed have appropriated this terminology, there is great diversity in usage with actors implicitly or explicitly drawing on one or more of the three discursive strands just discussed in often quite idiosyncratic ways. This points to the strategic usage of notions such as culture and leisure with actors referring to these notions in order to achieve often quite different objectives. In that respect, culture and leisure are best understood as ‘stable signifiers’ characterised by ‘shifting signifieds’ (Alexander 2007: 28). These signifieds shift through the contestation and creative appropriation of terminology or, in other words, it is the shifting of symbolic boundaries that can contribute to the transformation of social boundaries. Any cultural political economy that takes seriously the relative autonomy of meaning construction will need to pay attention to these boundary disputes. Cultural political economy and the analysis of urban strategies In referring to cultural political economy, we take our cue from what is sometimes referred to as the Lancaster School CPE project (Jones 2008) and which has largely been developed by Bob Jessop, Ngai-­Ling Sum and their colleagues and students. Drawing on a complex amalgam of Marxist political economy, the regulation approach, institutional economics, critical realism and Antonio Gramsci, the Lancaster CPE project aims to acknowledge the cultural turn in the social sciences while simultaneously holding on to the ‘bigger’ claims of the political economy tradition. The goal of CPE, in other words, becomes to resist the temptation of ‘soft economic sociology’, which subsumes ‘economic or political categories under general sociological (or cultural) analysis so that the analysis loses sight of the historical specificity and materiality of economics and the dynamics of state power’ (Jessop and Oosterlynck 2008: 1168). This can indeed be understood as the key contribution of CPE in comparison to mainstream cultural economy: whereas the latter – with its grounding in a cultural studies tradition – tends to be highly sensitive to the complexity of cultural-­ economic practices in specific sites, the CPE approach has developed a sophisticated vocabulary to conceptualise the ways in which these practices and sites become stabilised (if at all) over longer periods of time and on multiple scales. T& F 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 070 01 Cultural 01.indd 3 8/6/11 15:06:38 4 A. Lorentzen and B. van Heur 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 T& F PR O O F Three key aspects of the CPE approach are particularly important for this volume: economic imaginaries; strategies; and the role of variation, selection and retention (for a more extensive discussion, see van Heur (2010) and the chapter by van Heur in this volume). First of all, economic imaginaries play a key role in identifying and giving direction to the kinds of economic activities to be governed and regulated. Currently popular imaginaries are, among other notions, the knowledge-­based economy, creative industries, smart cities and resilient regions, but there is a potentially limitless reservoir of economic imaginaries available. Economic imaginaries function as shorthand reference to a particular set of economic activities within a much wider and uncontrollable range of economic activities, and thus give a sense of control to policy makers and other development agents. Second, in having identified particular subsets of the wider economy through the notion of economic imaginary, it becomes possible to devise strategies aimed at the governance of these subsets of the economy. Although one can note strong similarities between CPE’s account of strategies and debates on strategic planning (for example, by Patsy Healey 2007), CPE emphasises a strategic relational mode of analysis that is sensitive to emergent strategies as well as structural constraints. A strategic relational perspective acknowledges the extent to which strategies are not simply selective (in the sense that each decision includes and excludes), but also structurally inscribed. Due to the historical layering of the effects of previous strategies, current strategies will tend to reinforce some forms of action and discourage others. And third, CPE argues that strategies involve the selection and retention of the discursive dimensions of social phenomena. It is through selecting from a much more varied range of possibilities that actors interpret events, legitimise actions and represent social phenomena. If this selection is attractive to more than one actor, discourses can become retained and stabilised in multiple organisational and institutional environments. All authors in the following chapters move beyond ‘soft’ forms of cultural economy by analysing in depth the development of economic imaginaries, the dynamics of strategies and the complex processes of variation, selection and retention in small cities around the world. Small cities, big cities and urban hierarchies: the relationality of smallness In identifying the productive tensions between the stable signifiers of culture and leisure and their shifting referents and in highlighting the need to adopt a strategic relational view of development strategies, it is clear that we can only approach the ‘smallness’ of small cities as relational. Small cities, in other words, are what they are through the relations they have and develop. Using the vocabulary introduced above, this means we have to understand small cities not only as structurally constrained (by being part of broader institutional environments and urban hierarchies), but also as sites for the development of strategies that can transform these constraints. It is this strategic and emergent dimension of the global economy that does not receive much attention in the geographic 070 01 Cultural 01.indd 4 8/6/11 15:06:38 Introduction 5 PR O O F literature on city size and urban hierarchies. Most recent work in economic geography tends to emphasise the important role of agglomeration advantages: bigger cities benefit from location economies (the co-­location of firms improves the spread of knowledge between firms and provides a shared pool of qualified labour) and urbanisation economies (increased density and diversity is beneficial to innovation). In the cognitive–cultural economy, which is characterised by a high level of computerisation and innovation and a large share of workers with high levels of human capital (Scott 2007), big cities have the advantage of hosting multiple universities, highly skilled labour, cultural amenities, creative clusters, infrastructural facilities, transportation nodes and a vibrant urban environment. As territories they compete globally to attract businesses and labour as well as tourists and have considerable resources to do so, such as inherited and recent cultural and historical amenities (Lorentzen 2009: 838). Small cities, from this perspective, can only lose. The smaller the city, it seems, the more limited skilled labour, educational offer, cultural amenities, specialised creative production, urban ‘buzz’, and so on. Small cities either have to cope with leftovers from earlier economic paradigms (traditional industries) or have to find a role in the urban hierarchy as providers of cheap labour and affordable working and living space. Older optimal city size theory, in contrast, argued that these kinds of metropolitan advantages only ‘apply up to a certain urban size, after which diseconomies of scale due to congestion effects take place and decrease the average revenues of an urban location’ (Capello and Camagni 2000: 1480). This seems to limit the extent to which cities can continue to grow and potentially offers development opportunities for smaller cities, if these cities manage to capture the ‘overflow’ of economic activity that can no longer be pursued in big cities. Although smaller cities are awarded development potential in this narrative, it is still largely in varying situations of peripherality, in terms of distance, dependence or structural difference, to larger metropolises (Ferrau and Lopes 2004: 54; Lorentzen 2011). The problem with these explanations is not so much that they constitute generalisations and thus ignore the specificity of particular cities, but that they generalise on the basis of historical and contemporary development patterns. In particular in the literature that also aims to give policy suggestions, this often leads to a type of argument that understands these patterns as useful indicators of future development possibilities. In performing this kind of extrapolation, this literature highlights the structural, sedimented context and downplays strategic opportunities and, in doing so, tends to banish politics from the realm of the economy (or, which is basically the same, it understands politics as a mere technique of adjustment to economic imperatives). Various strategic opportunities for small cities, however, do exist and can be seen to be positioned on a sliding scale ranging from adjustment to more active transformation. In developing these future-­oriented strategies, it is important to emphasise that these cities capitalise upon the very heterogeneity of the urban world outside of the main metropolises (Jayne et al. 2010: 1409). Small cities are never just ‘small’, but represent different localised agglomeration processes, specialisations and path T& F 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 070 01 Cultural 01.indd 5 8/6/11 15:06:38 6 A. Lorentzen and B. van Heur 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 T& F PR O O F dependencies, population demographics and cultural identities (Garret-­Petts and Dubinsky 2005). These differences often provide opportunities for development. Smaller cities, for example, may be more transparent to actors seeking to join or establish innovative networks. Due to lower levels of specialisation, cognitive distances between the actors can be smaller, which facilitates the bridging and bonding of innovative and creative actors. The advantages of small cities include not only lower prices of land and housing, but also lower degrees of pollution, congestion and crime. Walkability and natural surroundings allow for lifestyles that are different from those in most metropolises. Smaller cities, in that respect, are often seen as highly appealing to families, certain types of artists, and elderly people. This appeal has potential economic value if cities can cater to the preferences of the wealthy, healthy and skilled segments of the population (Asheim and Hansen 2009; Bell and Jayne 2009: 693–4; Scott 2010b). More generally, it is through urban governance that the structural context is interpreted, challenged and transformed. Potential is identified or ignored through the lens of particular discourses and actors develop imaginaries of urban futures based on their interpretation of potentialities and informed by their own particular orientation, interests and biases. This, of course, also means that imaginaries may be of limited value owing to situations of path dependency and institutional lock-­in (Martin and Sunley 2006). In some cases, when realising these dangers, urban development actors have sought to overcome such limitations by inviting various actors – ranging from representatives of universities, trade unions or businesses to artists, neighbourhood organisations and young people – to visualise urban futures. Whereas in bigger cities, imaging may revolve around the development into global cities, medicon valleys or creative cities, small city imaging often addresses the reinterpretation of cultural and natural resources or the redefinition of regional roles through the establishment of urban networks dedicated to specific fields of activity (such as tourism, food, culture or education). In doing so, these small cities aim to challenge established urban hierarchies (e.g. Scott 2010b). New futures, to conclude, can be developed by new actors through the identification of new opportunities related to particular global market niches and it is through niche strategies that at least some small cities can become global players in some fields and, in doing so, can challenge the common images of what small cities are and can be. Smallness, in that respect, ‘is as much a state of mind as a taxonomic reality’ (Jayne et al. 2010: 1413), which is best understood by a perspective that understands small cities as relative, relational, differentiated and complex phenomena subject to dynamic change (Lorentzen 2011). Chapter organisation Following this introduction, the volume is divided into four parts and thirteen chapters. The first part (‘Theory and methods’) contains three contributions that critically reflect on the theoretical and methodical assumptions underlying small city research. Bas van Heur (Chapter 2) conducts theoretical groundwork by 070 01 Cultural 01.indd 6 8/6/11 15:06:38 Introduction 7 PR O O F investigating the ways in which small cities exhibit distinct sociospatial dynamics of economic development. Through a critical reading of the work of Allen J. Scott and Richard Florida, the chapter highlights the metropolitan biases in the work of both authors. In seeing small cities either as sites for routinised labour or as specialised sites catering to global niche markets, Scott tends to overestimate the role of economic logic and underestimate the role of politics in contributing to the coherence of local production regimes. Florida largely ignores the impact of uneven geographies on economic development and reifies the preferences of the creative class to such an extent that his analysis becomes geographically generic. Drawing on recent work in cultural political economy, van Heur suggests that more attention should be paid to the role of economic imaginaries and political strategies in shaping economic logics. It is thus of great importance to understand how key actors perceive the city and its future, and how different imaginaries undergo strategic selection processes by which actors and imaginaries are included and excluded. The author illustrates this argument by showing how these imaginaries and strategies are mediated through places, territories, scales and networks. Høgni Kalsø Hansen and Lars Winther (Chapter 3) challenge the popular claim that a diversity of amenities has the potential to attract the location of economic activity to small cities. Their main critique is that the claim is ahistorical and excludes the geographic context. Basic economic geographic mechanisms work severely against location in small cities. Location economies imply that co-­location of firms can help to spread knowledge among firms and provide a shared pool of qualified labour. Urbanisation economies, density and diversity, help reduce search costs and provide diverse inputs for innovation. Both types of advantages increase with city size, and it is thus highly questionable whether investment in amenities of any kind represents an effective factor in changing the economic fate of small cities. Considering also that small cities often exist at the bottom of steep urban hierarchies in the shadow of big capital cities, and that labour, even highly qualified labour, cannot be shown to give amenities priority over other factors when choosing place of residence, small cities may struggle in vain. Exceptions would be traditional tourist destinations that can benefit from location economies due to their inherited specialisation and small cities located in large city regions that can benefit from proximity to the main urban centres, but for other cities the preconditions to pursue an amenity growth strategy hardly exist. Chris Brennan-­Horley (Chapter 4), in a way, offers an operationalisation of the above argument that one needs to creatively appropriate terminology in order to shift social boundaries by outlining a new qualitative mapping method for research on creative industries in smaller cities. Combing mental maps – printed maps as interview prompts for informants to draw upon – with geographic information system (GIS) techniques, Brennan-­Horley uses the city of Darwin, Australia, to illustrate how different parts of the city play different roles in the city’s creative economy. Three spatial themes are identified: creative epicentres; spaces of inspiration; and workplaces. Not surprisingly the city centre is important as epicentre, workplace and inspiration, but even suburban locations T& F 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 070 01 Cultural 01.indd 7 8/6/11 15:06:38 8 A. Lorentzen and B. van Heur 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 T& F PR O O F and the natural environment are important, the latter both as inspiration and location for dry season creative activities. One of the lessons for small cities is then that creativity shows an inherent geographic complexity that is, however, often less visible and spatially concentrated than the creative clusters typical for bigger cities. The second part (‘Culture as an economic growth strategy’) of this volume concentrates on the ways in which culture and leisure are mobilised in local economic growth strategies. Anne Lorentzen (Chapter 5) investigates a new trend in local economic development strategies, according to which small cities in industrial and demographic crisis seek success as places of cultural and experiential consumption. According to Lorentzen, a successful consumption, based strategy requires high mobility and connections to the global flow of tourists, which are obviously conditions that cannot be met by all cities. Despite this fact, however, many small and peripheral cities have embarked on a consumption-­based strategy and Lorentzen illustrates her argument with reference to the Danish city Frederikshavn. Here, such a strategy gradually emerged from dozens of local initiatives such as new cultural events, urban refurbishment and the establishment of new buildings for sport and culture. When finally after ten years the actual strategy was formulated politically, achievements were not easily quantifiable in terms of jobs and growth, but were perceptible as a change in municipal governance and as a shift in the place identity of citizens. Structural traits of peripherality, such as low education and poor accessibility, do persist however and indicate that culture based strategies cannot stand alone as economic growth strategy. Heather M. Hall and Betsy Donald (Chapter 6) challenge the metropolitan bias of mainstream research on the cultural and creative economy through an investigation of the peripheral mining city of Greater Sudbury, Canada. Describing innovation in the mining sector, remote health care, the use of the natural landscape for cultural inspiration and the emergence of film and digital animation companies, the authors argue that creative opportunities do exist in these types of cities. In order to identify these potentials, policy makers and researchers need to develop a greater awareness of the actually existing challenges and opportunities that exist in the various economic sectors of these cities. At the same time, isolation, high transportation costs, negative perceptions, limited influence on central government decisions, and the problem of retaining skilled workers constitute serious obstacles to the further development of peripheral cities such as Greater Sudbury. For this reason, economic growth strategies should focus primarily on creating job opportunities in combination with promoting qualities of place like affordability and natural amenities. Douglas Chalmers and Mike Danson (Chapter 7) discuss the interplay between economy and culture in the context of Gaelic arts and culture within Glasgow, Scotland. While Gaelic cultural practice until recently has been regarded as backward-­looking, it is now increasingly seen as forward-­looking and as an important site for creativity, innovation and economic growth. Building on economic impact studies, the authors analyse employment figures and income generation in Gaelic arts and culture, but also describe the main players 070 01 Cultural 01.indd 8 8/6/11 15:06:38 Introduction 9 PR O O F in this sector and its impact on the wider Glasgow economy. Ranging from the BBC Gaelic Unit to the Celtic Connections Festival and the Fèisean Gaelic Musical Festival movement, the authors highlight the diversity of the audience and the extent to which those who speak the language tend to be in higher-­status positions and thus present a valuable resource for economic regeneration. Although wider economic impacts appear to be relatively limited, these do seem to be increasing and are largely based on services delivered by highly skilled professionals. The third part (‘Actors, networks, creative alliances’) takes a closer look at the types of actors and networks that are emerge around culture and leisure projects in small cities. Søren Smidt-­Jensen (Chapter 8) offers a detailed analysis of the so-­called micropole strategy of the small city of Vejle in Denmark. Informed by strategic frame analysis of Patsy Healey, Smidt-­Jensen shows how the micropole strategy was informed by various notions of creativity, the creative class and the experience economy and how it was mobilised to transform the urban quality and global visibility of the city. With a focus on new architecture the city was to become a highly attractive experience, ready to be consumed by new citizens and visitors. Behind this strategy was a coalition of businesses, politicians and civil servants, united by a shared strategic frame in relation to the perceived future of the city. An expensive visit by Richard Florida aimed to convince the local community to support the strategy, which materialised in diverse policies ranging from public health (new sports facilities) to tourism (flagship buildings). Half-­way realised, lack of popular support, the financial crisis, and competition for public resources from other neighbouring towns changed the opportunity structure and resulted in a lower level of ambition. Alison Bain and Dylann McLean (Chapter 9) discuss the creative capacity of two smaller cities in Ontario, Canada. Similar to many other cities, the local governments of these two cities have been inspired by the wider discourse on cultural planning. Although both cities still have to complete their own cultural plans, they actively participate in cultural planning forums, are members of the Creative City Network in Canada, and have substantially increased public funding for culture. The authors argue, however, that these formal planning networks obscure awareness of important informal and everyday cultural practices. This is illustrated through an analysis of bridging and bonding social capital and the importance of ‘third places’ such as coffee shops, bars, galleries and universities. Paul L. Knox and Heike Mayer (Chapter 10) analyse how small and more or less peripheral towns in Europe are using themes such as sustainability, heritage and culture to strengthen their role and position within the urban hierarchy. Following Ulrich Beck’s distinction between first and second or reflexive modernity, Knox and Mayer argue that the current era of reflexive modernity is characterised by small cities strategically using the polycentric urban condition. In developing networks between small cities, local territorial agencies can cooperate and disseminate information about best practices on various themes. These networks can be top-­down (institutional polycentricity) as well as bottom-­up (reflexive polycentricity) with the Cittaslow movement being discussed as an T& F 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 070 01 Cultural 01.indd 9 8/6/11 15:06:38 10 A. Lorentzen and B. van Heur 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 T& F PR O O F illustration of the latter. Ending on a critical note, the authors suggest that small city development in the era of second modernity is realistic for cities with interesting natural amenities, a distinct urban structure or an historical legacy expressed in local traditions, but much more difficult if not impossible for cities that lack these attributes. The fourth and last part of the volume (‘Culture, governance and social equity’) investigates in more depth the relation between the governance of culture and broader questions concerning social equity. Nancy Duxbury (Chapter 11) analyses how culture is involved in the strategic planning efforts in 27 small cities between 10,000 and 150,000 inhabitants in Canada. She found that culture plays an increasing, but varying role, depending on city size and its structural characteristics. Duxbury identifies three major ways in which culture is mobilised in city planning, namely as quality of life, as economic development and as downtown revitalisation with a cultural district. The smallest cities tend to focus on tourism and quality of life and culture is almost exclusively volunteer-­based. Medium small cities aim to be livable small cities, in particular for talented people. They focus on cultural activities and integrate culture into civic planning. Larger small cities on the path to a postindustrial economy see quality of life and place as important, but culture is also seen from a development perspective. Municipal support for culture becomes substantial here. Generally two different city roles related to culture emerge from the analysis: to support the community’s proactive voluntary agents, or more actively to facilitate, strategically position and plan for the development of culture. Nina Gribat (Chapter 12) reports from her research on the small and shrinking city of Hoyerswerda in East Germany. Employing a governmentality approach, she directs attention to how the future of a city is rendered governable and how particular subjectivities are either part or not part of this future. Although the city is objectively in a bad state, having lost almost half of its population and the majority of its jobs, one can identify two contrasting narratives concerning an explanation of this situation and potential solutions for the future development of this city. One position relates all problems to its Communist past which is seen as involving a culture of subjection and lack of entrepreneurship and civic initiative. The new part of town that was built under Communism is seen to exemplify all problems, and demolition offers itself as the obvious solution. The opposing view finds considerable potential in this same new town. Not only does the new town represent examples of different socialist architecture, in the face of failing state support and highly functionalist urban planning, but also the population exhibited civic initiative, involvement and creativity. Finally, Jennifer Mapes (Chapter 13) analyses how nostalgia and mythologies tied to American small towns are made tangible in cultural economy policies and outcomes. Small towns seem to share the belief that a focus on the creative industries and creative class are an effective economic development strategy and that the sense of place of small cities creates unique opportunities. In this context small towns become idealised and branded for their community cohesion, safety and serenity. This is illustrated by findings from three cities in the American 070 01 Cultural 01.indd 10 8/6/11 15:06:38 Introduction 11 West. Development actors in these cities seem to share a belief in the role of the arts and creative sectors as amenities and as job creators and promote smallness in order to grow. The classical small town, however, has largely disappeared and must be recreated and restored through the building of new main streets and the promotion of walking and bicycling in the downtown area. Despite the branding of a sense of community, this very development in turn is in danger of being socially biased, with exclusions taking place in particular along the lines of class and ethnicity. This raises the difficult question to what extent one can promote smallness in order to grow. Conclusion: ways forward for (research on) small cities? PR O O F By highlighting changes in the political economy of small cities in relation to the fields of culture and leisure, this volume aims to move forward the debate on small cities. Abstracting from the various contributions, we can identify at least four important points that deserve more attention in future research on the cultural political economy of small cities. There is, first of all, the need to investigate in more empirical detail the role of economic imaginaries in informing local narratives and in shaping subsequent development trajectories. In particular the appropriation of culture and leisure discourses is subject to substantial local translations, but although this volume has offered important insights, we still do not know much about the extent to which debates on culture and leisure are spatially differentiated and the types of actors involved in defining the terms on which the local debate takes place. The question needs to be asked if the new debates on culture and leisure challenge in any substantive sense more established political economic mechanisms at play. A strategic relational analysis that pays attention not only to strategies but also to the structural context within which these strategies operate can illuminate these dimensions. This, in other words, is a call to pay more attention to the political dimensions of economic development and the ways in which specific power constellations shape economic imaginaries. Second, the volume shows that although creative workers can be and often are based in small cities, these cities suffer from limited agglomeration effects and among creative workers there is a strong pull away from small cities to large and more diverse metropolises. Other specificities have also been noted: creative production in small cities is often spatially distributed (in comparison with the clusters typical for bigger cities); creative workers move easily between different locations due to short distances; and the natural environment offers an important inspiration for creative work. More generally, it seems important to pay more attention to the particular qualities of place of smaller cities and the attractiveness of these qualities for certain actors: young families, retired people and somewhat more established artists have been noted in this volume as being attracted to smaller cities. This raises the question to what extent creative industries debates on small cities are best subsumed under the more general heading of quality of place and livability. Instead of focusing primarily on attracting T& F 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 070 01 Cultural 01.indd 11 8/6/11 15:06:38 12 A. Lorentzen and B. van Heur 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 T& F PR O O F highly educated entrepreneurs, this would suggest an urban development strategy around themes such as local identity and leisure opportunities, and would necessitate a widening of the scope of actors involved in the development and execution of cultural strategies and programs. Third, small cities seem to rely on distinct strategies of governance to regulate and support cultural and leisure projects. One factor explaining this difference is city size, since some of the evidence suggests that only the biggest of the small cities commit substantial financial resources and planning capacities to culture and leisure. In most other small cities, the governance of culture and leisure relies on the local community, voluntary contributions and informal networks. The political decision to use culture and leisure in economic development strategies almost always involves a certain amount of professionalisation and thus leads to the emergence of policy experts. This in turn creates potential discrepancies and tensions between these experts and the local cultural sector. Artistic resources clearly also do exist in small cities, but it may be quite difficult for public authorities to capitalise upon them, because cultural networks are often very flexible and eclectic. Traditional planning methods have difficulty dealing with artistic communities of this kind. At the same time, small city governments are increasingly involved in translocal networks themselves and various types of networks exist in which actors share best practices. This raises difficult questions concerning the interaction between different types of networks and the consequences of these interactions for local small city development. Fourth, research into the dynamics of small cities leads to a questioning of the status of smallness as such. This volume has emphasised the need to understand smallness in a relational as well as a contextual sense, dependent on the particular city discussed and the particular argument pursued. Smallness from an economic geographic perspective can be related to number of firms, size of the labour market and diversity of supply, but also to the position of a city within urban hierarchies. Following lessons from the literature on location and urbanisation economies, small cities are less attractive than big cities and the way forward seems to be increased agglomeration. This points to the decline and perhaps even the end of small cities, but is that really what we are seeing? What this type of literature tends to downplay is the constitutive role played by economic imaginaries and strategies – and thus of agency – in shaping the very development dynamics of cities of different sizes and their relation to each other. What do such small city advantages as, for example, less congestion and lower prices for housing imply for their prospects for development? In what ways do current urban imaginaries on future development privilege metropolises and how do small cities try to develop alternative ways of thinking urbanity? How do particular strategies by small city actors renegotiate their position within urban hierarchies in ways that contribute to the survival of small cities? Although many of these issues are thematised by the various chapters in this volume, more work will need to be done before we reach a situation in which smaller cities are not simply an afterthought but key to the spatial imaginary of urban studies itself. 070 01 Cultural 01.indd 12 8/6/11 15:06:38 Introduction 13 References PR O O F Alexander, J. (2007), ‘The meaningful construction of inequality and the struggles against it: A ‘strong program’ approach to how social boundaries change’, Cultural Sociology 1(1): 23–30. Asheim, B. and H.K. Hansen (2009), ‘Knowledge bases, talents and contexts: On the usefulness of the creative class approach in Sweden’, Economic Geography 85(4): 425–42. Banks, M. and D. Hesmondhalgh (2009), ‘Looking for work in creative industries policy’, International Journal of Cultural Policy 15(4): 415–30. 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